In Ghent Krafft composed his Requiem for the large vocal ensembles of the cathedral there. It was used for the funeral services of the sisters of the Great Beguine Convent in Louvain. The very sober themes, showing resignation and acceptance of death, are somewhat reminscent of those of Mozart's Requiem (the latter was born in 1756, thirty-five years after Krafft). Though different, the two works share the same style.