This Missa pro defunctis is for SATB choir and orchestra (Oboe (2), Bassoon (1), Trumpet (2), Violin (2), Cello (1), Double bass (1), Organ (1)).
It contains:
01. Introitus - Requiem Aeternam
02. Kyrie
03. Graduale - In memoria aeterna
04. Sequentia - Dies Irae
05. Tuba Mirum
06. Judex Ergo
07. Rex Tremendae
08. Recordare
09. Ingemisco
10. Lacrymosa
11. Domine Jesu
12. Sanctus
13. Agnus Dei
Source: | booklet of cd Ligia Digital LIDI 0202243-12
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♫ 01. Introitus - Requiem Aeternam
© Ligia Digital LIDI 0202243-12
♫ 02. Kyrie
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♫ 03. Graduale - In memoria aeterna
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♫ 04. Sequentia - Dies Irae
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♫ 05. Tuba Mirum
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♫ 06. Judex Ergo
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♫ 07. Rex Tremendae
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♫ 08. Recordare
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♫ 09. Ingemisco
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♫ 10. Lacrymosa
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♫ 11. Domine Jesu
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♫ 12. Sanctus
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♫ 13. Agnus Dei
© Ligia Digital LIDI 0202243-12
Through the Duke of Serra Capriola, the minister for Naples and Sicily to St. Petersburg, where he arrived on December 2, 1787. Only ten days later, the Duchess of Serra Capriola, the wife of his patron, died, and for the funeral Cimarosa quickly composed the Requiem in G minor. It is a singular composition. Cimarosa's music, whether secular or sacred, reflects his character: it is permeated with his serenity. Sometimes he attains seriousness, sometimes he captured a moment of melancholy, but there is never a trace of grieve. This requiem is no exception: there is no grief, let alone desperation, only consolation in the certainty of eternal life. The music has great majesty. The dotted rhythms recall the destiny that has determined the final moment of our terrestial journey. The requiem has been performed at his own funeral in 1801 as well.
From the late 17th century onwards, mainly through the contributions of leading opera composers such as Feo, Galuppi, Hasse, Pergolesi, Jommelli, Gassmann, Cimarosa and Gossec, individual movements of the requiem became gradually larger, the orchestration richer and the solo vocal writing more elaborate. In some cases, single texts, usually the sequence and the responsory, were set separately, either as independent motets or as a means of providing vivid contrast within chanted forms of the funeral service.